- Antony And The Johnsons Cut The World
- Antony And The Johnsons Cut The World Rar Chomikuj Darmowaki
- Antony And The Johnsons Cut The World Lyrics
Antony & The Johnsons 'Cut The World' MP3 Tracklist: Cut the World Future Feminism Cripple and the Starfish You Are My Sister Swanlights Epilepsy Is Dancing Another World Kiss My Name I Fell in Love With a Dead Boy Rapture The Crying Light Twilight. 007 Spy Software Chomikuj. Learn to How to Spy friends Facebook Easily! 4 mile tracks in ohio outboards johnson manifestation tout le monde tout nu technische. Buy Antony And The Johnsons Cut the World Mp3 Download. Buy & Download Cheap Mp3 Music Online.
Cut the World was recorded live in Denmark with the Danish National Chamber Orchestra. It's essentially a 'hits' collection, though the title cut is new. Antony and the Johnsons have worked with orchestras before. That said, all the arrangements of the catalog material -- provided by Nico Muhly, Rob Moose, Maxim Moston, and Antony Hegarty -- are new and make full use of the various timbral, textural, and dramatic elements of the orchestra. Hegarty's compositions are all, at heart, spiritual psychodramas, drenched in an emotion so profoundly moving that it walks the balance beam between pleasure and pain. Though they are born in the (transgendered) body and look at the world and its politics -- environmental, social, sexual, economic -- through that gaze, they also struggle to free themselves from its confines and enter the world of the sacred where all things are integrated, and even the dichotomies between the first person and second are fluid. Check the lyrics in the title track -- written as part of the score for the Robert Wilson-directed stage production of The Life and Death of Marina Abramović -- which mirror this perfectly. Hegarty's voice is the channel. Whether it's expressed as a full-throated mellifluous croon or a falsetto so transparent it emits light, it elevates these versions to something approaching prayer. They each reflect the divine as it expresses itself in the natural world and sometimes address god directly. The second cut, 'Future Feminism,' is a seven-minute monologue to the audience. Hegarty discusses the moon, religion, the environment, politics, and the direct connections between them all leisurely, without didacticism, pretension, or pomposity. These themes are explored conversationally, humorously, and humbly. The music, however, is performed with the authority of an inner experience that celebrates as it struggles to unite flesh and spirit. 'Cripple and the Starfish' is almost theatrical in its drama. 'Epilepsy Is Dancing' begins as a simple ballad and concludes as a shimmering paean that seeks one's place in our tenuous environmental balance. 'Kiss My Name,' with its unexpected rolling snares, becomes a near anthem, a symphonic poem, with Hegarty soaring over the top. Both 'Rapture' and 'The Crying Light' walk a wavering line between art song and pop song. Cut the World is easily the most revealing Antony and the Johnsons album to date, joining material from various recordings in one extended, sublime document.
Antony and the Johnsons Cut the World is a collection of live symphonic performances of songs from the band's 4 full length albums. Korg. Recorded in Copenhagen, DK with The Danish National Chamber Orchestra, Cut the World features arrangements by Nico Muhly, Rob Moose, Maxim Moston and Antony.
Cut the World is a live album by Antony and the Johnsons, recorded in Copenhagen and released in August 2012. In 2012 it was awarded a double silver certification from the Independent Music Companies Association, which indicated sales of at least 40,000 copies throughout Europe. Antony and the Johnsons Cut the World. By Eric Henderson. Hegarty interrupts his live orchestral album, Cut the World, practically just as it’s beginning. “Future Feminism,” which follows the album’s first and title cut, allows Hegarty seven and a half minutes with which to summarize his entire gestalt, moving from topic to topic as.
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Antony And The Johnsons Cut The World
Antony Hegarty commands a flawless trill that is easily one of the most compelling voices in contemporary music, and it lends itself well to the kind of theatrical storytelling that Antony and the Johnsons have become known for. Cut the World, Hegarty and his collaborators’ newest release, is a collection of live, symphonic performances of songs from four full-length albums, and the full-bodied rendering fits the material perfectly. With help from the Danish National Chamber Orchestra, Hegarty bridges the gap, in some small way, between artist and listener, cutting out the middleman of the recording studio. The result is frequently breathtaking, and always satisfactory.
Antony And The Johnsons Cut The World Rar Chomikuj Darmowaki
Autocad 2009 32bit keygen. Just as many of the band’s old standards are here (“Cripple and the Starfish” and ”I Fell in Love with a Dead Boy” both get the full-service symphony treatment), and so are all of their usual themes. The more subtle ecological and cultural messages of Swanlights and The Crying Light become explicit in Cut the World in the form of “Future Feminism”, a speech Hegarty made to the audience during one of the collaboration concerts. “I truly believe that unless we move into feminine systems of governance, we don’t have a chance on this planet,” he tells a receptive audience. While this is heavy stuff for a chamber pop concert, the strength of Hegarty’s convictions are behind much of his music, and to embrace one is to be left without much choice but to embrace the other. Hegarty’s avant-garde-ness isn’t just about his fluid sexuality and gender identity, but also his propensity to lay everything on the table and build awareness in his listeners. Sure, Mick Jagger and David Bowie may have slept together in the 70’s, but they never tried to build a political movement around it.
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Antony And The Johnsons Cut The World Lyrics
Ultimately, “Cut the World” is a successful experiment, with tracks like “The Rapture” realizing the full potential inherent in more stripped-down album versions. The title track is a stunner, marrying Hegarty’s lush imagery (“My eyes are coral, absorbing your dreams”) with well-placed flourishes from a strings section. It was written, appropriately enough, for a new musical, even though it feels as though Hegarty and Co. have been enacting a living piece of musical theater for most of their career.
Essential Tracks: “Cut the World”, “The Rapture”